Friday, January 30, 2015

AHS: Freak Show Series review (What they got right and where they went wrong)



For those of you who haven't followed this series, MAJOR SPOILERS FOLLOW. I suggest you binge watch what you can and come on back.

The basic premise of the show this season was about the last traveling freakshow circus in the 1950s (Elsa Mars' Cabinet of Curiosities) and its cache of freaks and how they try to survive the forces that try to do it harm from within and from outside. 

For those of you who have watched the new season, here are my thoughts of the series and its finale.

Last chance if you don't want spoilers.

This is a photo of me putting on a wig (Scary no?) Also copyright infringement laws got me scared!

In the season finale, practically everyone dies.  I had a feeling this was the direction this season was going just from the way certain characters were 'executed' (hehe) from the show. Just before any character had any bit of redemption, there was a knife through to the head or they were sawed in half. Granted this tactic made the show rather interesting to watch, because you had no idea who would make it, but at points it felt rather wasteful of the characters and the time spent on them.

Here are some themes I mentioned before to follow. Let's Review:

The Freaks: Save but a daring few, the rest were offed. Some of them even had happy endings. Jimmy Darling (Evan Peters) and Bette and Dot Tatler (Sarah Paulson) end up together and are expecting parents.  Desiree Dupree (Angela Bassett) is a mother of two with her husband played by Malcolm Jamal Warner (I always loved that name). While some had tear jerking moments like Pepper, the rest of the cast were truly inspiring. Amazon Eve,  Paul the Illustraed Seal, Legless Suzie, and the rest were great additions. They weren't just freaks. They were a family with heart. Though they died, they became less freakish because of their humanity. The greatest freak of them all was actually Dandy Mott (more on him later).

Elsa Mars (Jessica Lange): The story of an actress finally finding fame and redemption as she exits the stage. I'm actually talking about the character Jessica Lange played and not the actress herself. Although, it is unclear if Ms. Lange will return for season 5 (yes, it's been renewed), this seemed a fitting end of her. To be honest the character was rather dull and shined best when she was tormented or when interacting with her freaks. This could explain why ultimately she ended her life with them. She went to great lengths to achieve what she wanted. Very great lengths.

Dandy Mott (Finn Wittrock): The greatest freak of them all. Gloria Mott (Francis Conroy) couldn't contain her son's inner psychotic killer freakisgness. She fell victim to him quickly. He was impulsive, childish, and easily slighted. He was also a joy to watch. IMO, all the little touches Wittrock added to the character (bow-legged chidlish walk, the melodramatics) helped me to love to hate him. Even to the bitter end when the freaks got their revenge, he was insolent and aloof. He was a star in his own world.

Season Highlights: Amazon Eve played by Erica Ervin and Dandy (Wittrock) need to return next season. Erica and Wittrock were just stellar to watch. Eve knocking around Michael Chiklis like a doll and Wittrock knockout performance deserve repeats. It would be fascinating to see what else they could transform into.

There were so many death scenes this season and some pretty good ones. Stanley (Denis O'Hare) and Maggie (Emma Roberts) got their comeuppances in classic horror movie fashion. Dandy's inescapable magic act was well received by me.

Where they went wrong: Some of the promotional work promised things that never happened. I recall an episode trailer with  Gloria Mott handling a gun to actress Sidibe. That never happened, not even in flashback or dream sequence.  Speaking of Mrs Mott, Francis Conroy was woefully underused. After the genius of Myrtle Snow, Mrs. Mott felt rather pathetic. To that point, there were side stories that never really fleshed out.  Gloria Mott and Regina Ross (Sidibe) are victims of rushed endings. Patti Labelle (Dora Ross) never got justice, but the abusive father that mutilated his daughter was tarred and spared in an act of freak sisterhood. Twisty the clown left too early and may have been a better foil near the end. Lastly Maggie (Emma Roberts) never got her redemption. The entire time she was built with a conscience and she promises beau Jimmy Darling (Evan Peters, her beau in real life too) that she will make up for her part in Stanley's deeds. If you follow these two in real life, their relationship is tabloid trainwreck so I was hoping the two would actually have a happy ending (even in make believe). That side plot gets hacked to bits exactly have Maggie met her end. It was just wasteful story telling. Even Chiklis' character had a moment to repair relationships and come clean. What ever happened to the Bette and Dot love/hate relationship? As soon as Dot changed her hair color and plotted to kill her sister, the next episode they were harmonious. That side story was done before it even got traction.

Overall: This season was fun to watch. It wasn't the total let down like Coven and it had better focus than Asylum. However, it runs into the same trap both Season 2 and 3 fell into (a lack of follow through with ideas and missed thematic opportunities) I give it 4 out of 5, because I'm feeling generous. I hope next season invites several actors back and explore new territory, but fully release characters potential.

Under the Skin: Movie Review

You may have heard of this critically acclaimed sci-5 thriller art film on many Top Ten lists in 2013 and 2014. Roger Ebert rated it an A+. Regular viewers on Amazon rated the film 3/5 stars.  The film can be labelled a box office bomb. Why such the split? I took a chance and watched for myself. Here's what I thought.

Notice the face I make after that shot...yea that's what i thought about this film. Shout out to BOSTON COLLEGE!
The film could be summarized as a seductress (Scarlett Johansson) of unknown alien origin luring lonely men into their doom, until she decides she wants to be human. At least that's what it looks like, because there is very little in the way of dialogue. This is the most minimalist approach to dialogue I've experienced in a film. The silence is haunting. The soundtrack is alien clicks, and synphs heighten the sense of doom you know these men will experience. From an audio and art perspective, this is a wonderful exploration of how visuals and sounds evoke the story.

Where the films falls apart is where it lacks in story. While I'm ok with using my imagination to fill in the gaps, in Under the Skin the viewer tends to get so lost in the sounds and visuals that it gets on your nerves rather than under your skin. What exactly is going on in this movie? Why is a motorcyclist after our alien seductress? The motorist's role is so minimal it's hardly worth shooting any scenes with him.

Johansson is very beautiful (rated by Esquire Mag as the most beautiful woman in 2014), but her character's motivations are rather unclear. What exactly makes her want to be human? What the hell does she want with these males anyway? These questions ultimately go unanswered.

The stand outs in the film like i mentioned are the visuals and the themes of sexuality and gender. A female as the predator and men as her prey. How transgressive! The exploration of the exploitation or sexualization of the female form is interesting to note in the film's ending where (SPOILER) our protagonist alien literally rips her skin off, abandoning her want for humanity.

As art this film is great. As a thriller, it has moments (there is a sequence with an unexpected POP jolted me out of my sleep--cause the quiet did put me to sleep), but those moments were few and far between. Overall I agree with my Amazon Prime family. 3 out of 5 stars.

Under the Skin is available for viewing on most VoD sites. I viewed mine relatively for free on Amazon Prime.

Saturday, January 24, 2015

Melting Pot: A Short Story by M. J. Cross

      

John 13:34
~
“Don't punish me with brutality
Talk to me, so you can see
Oh, what's going on?”
-Marvin Gaye
~
It was the spring of 1977 in Somerville, Massachusetts. April 13th. Some of my brothers recall this day with levity mastered skillfully overtime, because dissecting that afternoon with clinical focus stirs up a surreal pain that others in my family care to forget. I can’t forget however. 
It brought the police to our door steps, and days later, Mayor S. Lester Ralph. It even found small notoriety in The Somerville News, but try searching for those excerpts in their archives now. I’ve tried. It’s as if the battle we fought never happened. Polished over like some mundane afternoon in the middle of some insignificant month, but my family and I know better.

Afterschool, and as usual, I was in the kitchen hanging under Mama as she cooked a speedy dinner. She tried in earnest to shoo me away to my sisters, Nicole and Delourdes. They were washing dishes and I wanted no part in it. Our small apartment housed a troupe of hungry mouths that needed feeding. Last one in the kitchen got grate, the burnt scraps of the meal, and being the youngest, I was generally the last one for all things.

I made sure it wasn’t going to be me. I was in prime position to be the first one served if I stuck close with Mama.

I was supposed to be doing homework, but Papa was too busy fixing a dresser the twins broke in their room to ensure my work was done. The oldest, Jack, fresh back from work, laughed nearby as Papa lit into the twins for being so careless. The twins were a hand full even at twelve.

My father’s voice didn’t weaken one bit as he hammered away in their bedroom. “You two-” BANG! “-too fucking old for this!” BANG! “-always breaking something. Don’t just stand there idiots!” BANG! BANG! The sounds of his hammer were thunderous throughout the apartment.

I was happy it wasn’t me on the other side of Papa’s yelling and cursing. Since finally landing a job in a kitchen, Papa brought back more than just desperately needed income. His words became fiercer, hurtful at times, and his temper was shorter with us. He got to smoking through two packs of cigarettes in a week. His hardened persona was the result of months of rejection and being forced to take on labor that cheapened his former carpentry skills.

Papa was working with his hammer, when the front door flew open, smashing into the adjacent wall. At first, I confused the sound as Papa’s hammer.

At the door was George, who was lifting his bicycle into the house. Sweat ran down the sides of his face. His shirt was stretched out its stitches and several of the buttons were missing. He was covered in dirt. His fine dark hair was dusted shades lighter than it should’ve been. His pants were stained with mud that had started to crust over. He breathed hard as he barricaded the door shut with the full weight of his body.

Everything stopped at once and filled with a church-like silence found in congregations deep in meditation. Mama turned away from the stove. The girls left the water running in the sink. George’s wild breathing was all I could hear.

A sob wrenched from Delourdes, “They did it again.”

Nicole threw her arms around Delourdes to absorb her deluge of tears. She swayed Delourdes in her arms and gently cradled the back of her head.

They. I knew who They were. We all did in some way. They picked on us every chance they got. They peed on Delourdes one day as she walked home from school. They yelled at the twins for coming into their stores. They kept Papa from finding good work.

“Joseph!” Mama called for my father. “Come here! Quick!”

I wanted to latch myself on to my mother as she ran to George, but my limbs were hardened in place. I twisted and pulled nervously at my stiff fingers to feel limber again.

“They’re coming after me, Mama,” George’s voice sprung tears to my eyes. To this day, I’ve never heard him so exhausted. “They’re coming.”

Mama screamed again for Papa, and before I could let out a weak cry, Nicole quickly pulled me into her arms. I buried my face in her side and ignored the pain of her bony hips. Inside her embrace, I squeezed my eyes against tears and listened to the muffled sounds of Mama pleading for my father.

When Papa emerged, his voice brought some order to the surging chaos within me. He was a carpenter. He made things right whether with his hands or words. He was going to fix this too.

The twins beat him to the front room and tripped up Mama as they clamored over George.

“Damn! George! You look horrible!” The twins finished each other’s sentence.

With a hammer gripped in his hand, Papa asked tersely, “What happened to you?”

“They took my bike. They can spit on me and call me names,” George swelled with anger, “But they won’t take my bike.”

George’s ten-speed varsity bike was leaning against the wall. It had a metallic blue frame with curved handles and thin wheels. Now days, a bike like his would be considered vintage goods, but during those times, and to George, it was a luxury he worked hard for. He saved up from washing restaurant dishes and mopping bank floors just to get the bike no one else had. It was supposed to get him around faster. My mother thought he had too much pride in the bike, but her rationale was rooted in the Islands. She never understood how much one’s possessions defined status in our new world of concrete project-homes and segregated hoods.

A satisfied smile spread across George’s face as he recounted how he found the gang of boys that stole his bike and broke one of their noses to get it back. “Don’t worry, Mama,” he shrugged off her touch. “I’m fine. I biked as hard as I could, but they followed me. They’re coming.”

“Why didn’t you just let it go?” Mama argued with him. “They could’ve killed you!”

George looked Papa dead in the eyes, and with his head held defiantly, he said, “I fought them back.”

Papa’s harden exterior didn’t leave room for much soft emotions. That’s why I remember his curt, approving nod in George’s favor. He understood why George fought back, but it wasn’t what Mama wanted.

Mama flew into a rage. She grabbed the bike and throttled it violently in her hands. She screamed up to the ceiling for God to give her the strength of Samson to break the machine that evoked so much pride. She threw it to the floor in desperation. She looked as if she wanted to stomp it under her foot, but she stopped in motion. She looked to the window, horrified.

“Do you hear them now?” Mama cried, “All for this damn bike!”

They were outside. Their taunts and catcalls rose and crashed outside our window in waves. Their collective voices ranged of violent intent. They shouted for George’s blood. They called for the nigger. Their taunts resounded heavily in my head just as Papa’s hammer did.

Jack, who was silent up to that point, paced the room and mumbled angrily, “Papa, we gotta do something. They can’t do this to us.”

“You will stay inside this house.” Mama pointed daringly at Jack.

“This is our home,” Jack replied to her. “If we don’t feel safe here, we won’t feel safe anywhere.”

Mama walked away from him invoking the Lord’s name.

The twins were brave and stupid enough to peek out the window.

“Wow! Look at! All of them!” The twins shoved each other aside to get a better view.

George looked out the window with them and said in surprise, “They brought more people.”

Suddenly, George and the twins dove to the floor and glass shattered over them. I expected to be swept up a cloud of fire and my lungs fill with smoke. What I thought was a firebomb was actually a brick. It hit the floor with a terrible thud and rolled once, twice, before stopping against a wall.

Jack stayed out of the plane of view to pull the twins and George to safety.

Mama retrieved her bible and growled for God to intervene. She made her way back to the kitchen. She slammed her book and thick hands on the table. It rattled as she knelt before it with hands clasped in praying.

“Pray with me,” Mama ordered everyone in the house, but only Nicole moved to pray next to her. Nicole said later that Mama held her hand so tightly, it went numb.

Delourdes and I jumped at the sound of banging against our door. George wasn’t against it anymore. There was nothing to hold the door back if someone wanted to get in.

As the door shook, I wished it were reinforced with steel. It quickly appeared to be paper thin and held up by weak swears.

A grim look came over Papa’s face. I looked back and forth from him and the door.

Papa’s face was so red. He had high-toned skin that could’ve passed for white, not white enough to get him good work, but white enough that his face rouged brighter than I had ever seen.

In Papa’s tightened grip, the hammer jiggled to life, trembling in anticipation.

Shouting on the other side of the banging door came from our neighbor across the hall. He wanted to know if we were okay.

Jack quickly opened the door for our neighbor, who stood in the hallway in nothing but his shorts and sandals on. His jailhouse muscles made Jack look puny. Across the hall, our neighbor’s wife clung to their apartment door with an infant in her arm. She straddled one foot in the hallway and the rest of her safe in her apartment.

“Man, can you hear them crackers!” Our neighbor spoke. His time in the House of Corrections taught him to mask his anxiety with foul words, “Them mothafuckers want to kill us! Ain’t nothing but lil’ fucking honkies either!”

Papa looked around the room at Mama praying, Nicole wincing in pain, and shards of glass on the floor. The shouting outside got so loud Delourdes covered her ears.

I can only imagine what Papa was thinking, because he has refused to talk about this day in any length. The most I got out of him was as a result of an alcohol-induced stupor. He has taken to drinking and smoking daily now.

In a land that was supposed to be free of war, our home was under attack. Our home was supposed to be a refuge from war, a refuge from Them, my father could’ve been thinking. They, outside our house, the whites, wanted to take away what safety we had from Them. Like George, Papa was probably thinking that he had enough.

Without a word, he walked past our neighbor and down the hallway towards the front of the apartment. His greying beard glinted like curls of steel as he left.

“Your father’s fucking crazy!” Our neighborhood said to Jack as they followed after him.

It’s tough to say what order the rest of us followed. We all moved to quickly for Mama to catch. George wasn’t going to let Papa and Jack finish something that he started. He had too much dignity for that.

The twins were easily swept up in the excitement, and I couldn’t let my brothers go out there by themselves, especially not Papa.

Nicole yelled at me to come back as I flanked my father and the army of angry black panthers around him. Our neighbor incited us with his foul words. Jack had managed to take off his belt and hold it like a whip in his hands. The twins bounced on their feet as if boxers in pre-fight. Papa waved his hammer around threateningly.

Delourdes told me that she and Nicole left Mama praying feverishly in the kitchen and ran up to the shattered window to see what was going to happen.

Our neighbor’s wife protested what we were about to do, but she slammed her door as soon as we stepped outside.

It was us versus a mob of angry red-faces that piled around our sidewalk and stretched into the middle of the street. The sea of white people was mixed young and old, an army of thirty strong. Cars had honked their horns to get by. Some stopped and watched the spectacle.

A swarthy boy with a bloody nose and bloodier shirt seemed to be leading them so Papa spoke to him. His accented English was Bohemian, but menacingly chilly.

“You get the fuck away from here,” Papa pointed with his hammer.

“You heard the man!” Our neighbor backed him up. “Run on home to yo mommas.”

The mob spoke all at once, agitated and angry. Frothing forth from their mouths were more curses. Called us out our names and called our mother despicable things. My father at his foulest of speech wouldn’t dare say in our presence the things they called her.

The weather was cool and even. The sun was hanging towards the west like a Frisbee caught in a tree. Despite such balmy weather, the sun felt like a skillet to my skin. The heat that built up around my father, my brothers and I would’ve blown the top off a thermometer.

From the corner of my eyes, Jack’s grip tightened around his belt. It swung back and forth threateningly, a black mamba hissing its own silent creole to warn others back.

The sound of blood pulsing in my ears reminded me of cicadas on a blazing summer afternoon.

One of Them hurled a rock, a stray loosened by the earth by winter plows. I ducked in time, and it struck one of the twins in the chest instead. Papa responded by throwing his hammer out into the crowd like a tomahawk. A scream erupted from Them. It echoed like a battle cry, full of rage and red. They surged forward, and we launched from the steps together like stallions off a cliff. We collided with Them in full force.

We were horribly outnumbered, but we swung wildly, belting back attacks and trading punches and kicks. We were a mess of ingredients in a melting pot left to stew in our juices, but we were too spicy, too ethnic to be assimilated. We were boiling over the rim, spilling out into the streets for the world to see.

Throughout the fight that battle cry never ceased, growing more intense and girlish as the moments dragged on.

Through a ring of tussled bodies, I spotted the boy with the never-ending battle cry. Both his hands covered the right side of his face as blood poured from his forehead. Blood trickled down his white arms and broke away in many directions like veins outside his body.

I like to think that time slowed down so that I could record this grisly image to my memories. Perhaps I was spared much of the brutality, because I was the youngest and smallest. That was short-live, because in my distraction, I was knocked to the floor.

That afternoon, I got my first black eye.

The police showed up minutes later to disperse the mob. We learned from them that the hammer actually struck one of the boys’ in the face. He required stitches and was recovering in the hospital.

This fight turned out to be what got us evicted from our Somerville home. Mayor Lester Ralph came to our house the next day, armed with State Troopers. He demanded that we leave.

Papa tried to protest by the Troopers strung him up by his neck until he grudgingly agreed.

We moved out as quickly as we could, probably so that no other mob would come back for retaliation, but this time at night.

Whether we won or lost this battle is a matter of opinion in my family. What matters most is that we did it together. We protected what we had left. It was us versus Them. It has always been us versus Them, and probably will be for the rest of our lives.
~
In dedication to my Loves, especially George and other members of the Joseph Family, who lived this.

April 2 2012 - June 19, 2012

Carrie (2013) Review


Carrie (2013) stars Chloe Grace Cortez as the film's titular character and Julianne Moore as her deranged Christian-Fundamentalist mother, Margaret.


By now, you may already know her name and the story. If you don't please stop now and pick up the book. Spoilers follow!

She is Carrie, the telekinetic teenager and poster-girl for victim-revenge films. Drenched in pig's blood on her prom night, she unleashes hell on the unsuspecting guests and tormentors and the rest of the town. Her story is iconic. Despite Stephen King's humility towards his writing in that novel, Carrie launched his career. It has been adapted into a blockbuster film (1976), a delightfully disastrous musical (1988), a 1999 film sequel, a 2002 television movie, and an Off-Broadway revival across the nation. This long list now includes yet-another remake.

I fell in love with Carrie the moment I read her book. Thirsty for something I didn't have words for yet, I was moved by Carrie's story. Since then I've seen the play, reread the book countless times, and found and devoured any adaption to Carrie I could find.

Carrie is tragic, because she is so misunderstood like any teenager (insert any disability or psychosocial-economic standing) and finally was gifted with the ability to do something about it.

And that appears to be the problem with any other adaption that comes after the 1976 De Palma directed film (and this is likely the problem with remaking classics as well). Carrie is still misunderstood.

Ms. Cortez is a wonderful chameleon actress, and she provides a modest job as Carrie, but aside from updates in technology, some mentioning of social media and cellphone use, the film feels woefully unnecessary. Despite the gloomy trailer (kudos to songtress Lykke Li's "Will you still love me tomorrow?"), the film doesn't live up to the hype and promise of a re-adapation.

The stock characters remain stock characters. Chris (Portia Doubleday) remains a mean girl and her adrenaline-junkie boyfriend, Billy (Alex Russell), is there for the ride. Tommy Ross (Ansel Elgort) is still the boy following his girlfriend, Sue's (Grabeille Wilde) wishes to take a wallflower instead to the prom. Ms. Desjardin (Judy Greer) still hovers about like a fairy godmother.

Jillian Moore stole the movie for me. We were provided glimpses into her psyche and realize she is just as tortured as Carrie. When she harms herself it is uncomfortable to watch, but also makes the character. Physically plain and tired looking, she actually looked the part. And she didn't need a Southern accent to do it.

I guess that's what remakes and this film fail to understand. There was a perfect opportunity to build upon an cult-classic that King created. The dynamic between mother and daughter should've been explored more than it was in the book and De Palma's film. What really makes Tommy, Chris, Billy, and Sue tick? Modest attempts at exploring these topics were explored in the tv movie, which in my opinion was a stronger remake than this film.

If I had a chance at the script, I would've focused more on the dynamics between parent and child. Margaret and Carrie are co-dependents that desperately need each other to feel worthy, until Carrie realizes her true potential. It would be nice to see Chris' relationship with her over-indulgent dad get some time to form itself. Billy must be some latchkey kid the way he just roams from place to place in bikes and sports cars, or maybe he is a drug addict and his parents are social workers. Sue and Tommy actually dream of running away from their WASP-y lives because Sue is pregnant and Tommy wants to be a poet instead of a a football player. And at the center of all their world waiting for the bucket of blood to drop is the forgotten telekinetic girl who gets bullied for the last time.

Who knows! Anything is possible when you have creative license and respectfully add to the story.
  
If I had to choose, I would rewatch the 1976 classic. Carrie (2013) is a decent remake, but is rather forgettable. It's currently available for viewing on most all VODs sites.

Who's watching Constantine (TV Series)? (Review)

Not Constantine, because copyright laws are scary yo!
So when NBC announced they were trying its hand at the comicbook adaptions with Constantine, I was skeptical. Isn't NBC known for Law and Order and Talk Shows? I watched the trailer and cued my Hulu account to update me on new episodes.

Constantine for non-comicbook fan boys is an antihero-magician of the DC universe. A detective of sorts that is too-sly for his own good, because everything he touches bad things seem to happen. He is a conundrum, because he isn't all good and he isn't all bad. Per history, he is a bisexual, chain smoking, foul mouthed demon chaser, unwanted by Heaven and sought by Hell. Aside from watching the movie adaptation with Keanu Reeves and reading the new 52 Dark Justice League, this is all i know of Constantine.

The TV Series: They got the right actor. Matt Ryan is Constantine. Period. He exudes that cockiness with the right amount of character empathy that makes you want to return to watch, and he's British. (Even Keanu couldn't fake that accent). They have the right director, Goyer, who had a hand in some good Comic book adaptations. They have tiny Easter eggs that fanboys like me love (example cameos by Doctor Mist, Papa Midnite, and Felix Faust to name but a few). So how can a supernatural Detective show with some good scares (like Brothers Grimm, but darker) go wrong?

The series may not be renewed for a 2nd season and here are some reasons why:

1) Constantine is fresh out an asylum after a botched exorcism kills a little girl and he is immediately informed by an 'angel' of some raising darkness throwing things out of whack. Great. So why does it become a freak-of-the-week storyline week after week? Every demon, ghost and poltergeist has something to do with this raising darkness, but as the season wears on, they get stuck with cameos and fillers. The pacing just didn't work.

2) Side plots: Constantine has companions on his misadventures, Chas and Zed. These two characters are rather mysterious. I went through five episodes and there has yet to be an explanation as to why these characters are mysterious. Chas appears and reappears out of then air and can come back from the dead like a zombie. Why? Why is Zed lying about her interest in working with Constantine? The writers set these kind of plots high up on a shelf and only address it when they want to. You can't string viewers along for so long (see what i did there, alliteration and rhyming).

3) It has been noted that the episodes have appeared out of sequence, probably because NBC noticed slipping ratings and tried to salvage what it could. If the series was presented as it should've, I believe the right character building tone would've been struck earlier on. Constantine would've been established as an demon-expert-mage exorcist right away and the Zed/raising darkness whatever is happening story line would follow the 'big bad' method of season antagonist. Build the environment first, then introduce the elements at play, not the other way other.

If this series gets offed, its ok. Didn't you hear? CBS is producing a Supergirl series and Daredevil is coming to Netflix. There isn't a lack of comic book movies and shows in 2015.

Friday, January 9, 2015

Black Hills (Excerpt) by M. J. Cross


- The Hunter Who Couldn’t Stop-

John Birdsong, known by many other names depending on his relationship with the person calling him, sped down Interstate 18 and Route 385 in his blue Ford pickup. Bites had been taken out of the fender by rust, and the door of the truck bed was missing. The A/C had been broken for years, but John hardly sweated from the summer wind. The cabin was rushed with a hot breeze that pulled his long white hair away from his face. As John hit 75 mph, the steering wheel trembled in his hands, and he recalled the cautionary Lakota Sioux legend: The Hunter Who Couldn’t Stop.

It was his grandmother’s favorite story to tell him when he was of school age and too hasty to action. The story scared him into obedience, because the Hunter came to all those who lacked patience. The Hunter was his Boogey Man that lurked in the dark underneath his bed or in his closet.

John grew out of his youthful impulsiveness long ago and aged into a man beyond expectations; a man who outlived friends, relatives, siblings, and his only child; a man whose shiny eyes and monosyllabic nature mystified others; a man who imparted wisdom wherever he went.

While the pavement raced underneath him like a stream of cement, he thought again of The Hunter and the imagines his child’s mind conjured while listening to his grandmother.

The Hunter was as tall as the pine trees that covered the Black Hills. So tall his stride broke distances between him and prey within steps. He had large bear paws for hands, and his smile was as inviting as a wolf’s jaw. Blood dripped from his face as if he bathed in it. Driven mad with insatiable hunger, The Hunter’s eyes would never close, ever vigilant for his next meal.

As John Birdsong’s weathered hands gripped the steering wheel tighter, he pushed the truck to 90 mph. Trees and highway blurred together. His heart rattled in his chest. He feared that there wasn’t enough time. 

imagine by financialtribune.com
 This is an excerpt from an unfinished manuscript i lost motivation in because the protagonist and I couldn't make it work. Maybe I'll give her the actual time she deserves later. If you want more, please comment.